It was awarded ’Outstanding Paper 2010’ by the publishers.
PETER MARINO ARCHITECT SEUL PROFESSIONAL
This article demonstrates how the archaeological analysis of buildings can be used in the design and management of building refurbishment projects, using case studies from the author’s professional work in southwest Britain. ’Building Palaeopathology: Practical Applications of Archaeological Building Analysis’, Structural Survey Vol 27 No. Spolia salvage catholic non-conformist britain As ’spolia’, salvaged architectural details were used by Catholic and other minority owners as expressions of cultural affinity and political legitimacy. In addition to its iconographic and economic value, salvage was an important vector of technological and stylistic diffusion. The thesis demonstrates that architectural salvage was culturally endemic throughout Britain throughout the later Middle Ages and the Early Modern period and was facilitated by sophisticated markets, distribution networks and customary non-economic ’linear exchange’.
MPhil Thesis, Department of Architecture and Civil Engineering, University of Bath. Through his dedication to his craft and expert devotion to Coco Chanel's vision and resolutely modern spirit, Marino has ushered Chanel into a new age, all while perfecting the always elusive art of the timeless in architecture and design.Spolia Britannica: The Historical Use of Salvaged Building Materials in Britain.
With more than 300 stunning images, including architectural plans and original sketches by Marino together with an introduction by New York Times and Architectural Digest contributor Pilar Viladas, an interview by creator of Pin-Up magazine Felix Burrichter, and project descriptions by local writers, each perfectly placed to discuss Marino's work in its geographical context, this book features all 16 Chanel buildings worldwide for which Marino designed both the buildings and interiors - from the USA to Asia. This stunning celebration of the 25-year collaboration between two remarkable legends - the fashion house Chanel and Peter Marino - through a stunning collection of buildings that Marino designed to elevate Chanel's luxury retail spaces to the realm of fine art. Our new book showcases this incredible partnership, detailing Marino’s creativity and dedication to Coco Chanel’s original vision, as well as his own design, aesthetic and fine-art skills, which the American architect has brought to bear on the fashion house’s flagship stores around the world.Ī celebration of the wonderful creative intersection between the architecture of Peter Marino and the aesthetic of fashion-house Chanel - a behind-the-scenes look at the buildings designed by Marino for Chanel in Chicago, Hong Kong, Istanbul, Los Angeles, Nanjing, New York, Miami, Osaka, Seoul, Singapore, and Tokyo During the years that Lagerfeld was creative director at Chanel, and in the period following his departure, Marino has created some of the world’s most beautiful, impressive, and effective retail environments. Like so many similar successful working arrangements, it was a wise, and fruitful agreement. As Marino himself says in his new book, Peter Marino: The Architecture of Chanel, it can be summed up like this: “I’m so not talking about that skirt, and you’re so not talking about this chair.” Peter Marino had an agreement with Karl Lagerfeld. Peter Marino: The Architecture of Chanel All you need to know about Peter Marino: The Architecture of Chanelĭiscover one of the most fruitful partnerships in modern architecture, via sixteen breathtaking stores
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